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Linkin Park is a six-piece Californian nu metal band like Korn, Skid Row, Limp Bizkit, Staind and Orgy.

The band saw its beginnings in emcee/vocalist Mike Shinoda's small bedroom studio, where he and Delson recorded the band's first material in 1996. The two had attended high school together, where they met the band's drummer, Rob Bourdon. Shinoda hooked up with DJ Joseph Hahn while studying illustration at Art Center College in Pasadena. Meanwhile, attending UCLA, Delson shared an apartment with bassist Phoenix, who left the band after college and returned a year later. At this point, they named themselves Xero and recorded several demo tracks. They never got signed, and the project floundered. Then Shinoda decided to hire a vocalist, and put out an ad. They got Chester Bennington, a transplanted Arizona native who started making records when he was 16. "When I was two, I used to run around singing Foreigner songs--there's tapes of me doing that...Since I learned how to talk I've been telling everybody I was gonna grow up to be a singer." laughs Bennington.

The band called itself Hybrid Theory after the addition of Bennington (The idea being that they were a hybrid of rock and rap), however, due to a copyright issue with a band called Hybrid, they were forced to change their name. Some discarded ideas (serious or not) were Clear (the band's favorite), Probing Lagers (Which they thought was the lamest), Ten PM Stocker (Because they would record every night at 10 pm at a place on Stocker Street) and Platinum Lotus Foundation. Eventually, they settled on Lincoln Park, suggested by Bennington because after band practice he would have to drive past there to get home. The domain name LincolnPark.com was taken and would be too expensive to buy, so they changed the spelling to Linkin Park and took from that their band name.

After being signed to Warner Brothers in 1999 their first album, Hybrid Theory, was released in 2000. It was the top-selling album in the United States and New Zealand in 2001, with the hit singles "One Step Closer", "In the End", and "Crawling". The album is notable for its absence of profanity, in contrast to many other nu metal bands' songs.

Linkin Park were part of the Ozzfest in 2001, touring along side Marilyn Manson, Slipknot, Papa Roach, and Disturbed

Linkin Park have created their own tour - Projekt: Revolution, and on it have toured with Cypress Hill, Adema, DJ Z-Trip Xzibit, Mudvayne and Blindside.

In 2003 Linkin Park joined forces with fellow nu-metal band Limp Bizkit and Metallica for the Summer Sanitarium Tour 2003. From this tour, Linkin Park released a new record, Live in Texas, a live album containing tracks from Hybrid Theory and Meteora, recorded in the arena broadcast at Dallas, Texas.

In 2004, Linkin Park created the Meteora World Tour. This tour included Linkin Park, P.O.D., Hoobastank, and Story of the Year.

In 2004, Linkin Park was touring with Snoop Dogg, The Used, Ko/n, and Less Than Jake on the main stage, and No Warning, Ghostface, Funeral for a Friend, M.O.P., and Downset on the second stage as part of Projekt Revolution 2004. They also had a travelling DJ, Z-Trip with them, along with Irvin the Urban Action Figure.

On November 30, 2004, Linkin Park released Collision Course, a collaboration with rapper Jay-Z featuring rap-style remixes ("mash-ups") of songs from Meteora and Hybrid Theory using lyrics from Jay-Z's repertoire. Collision Course debuted at #1 in the US, but peaked at #17 in the UK. In the Netherlands Collision Course topped the charts at 7th place. Their first Collision Course hit single, Numb/Encore, reached #1 at the Free Record Shop Download Charts in the Netherlands.


On the eve of its initial public offering in May 2005, Linkin Park demanded to be released from its contract with Warner Brothers Music on the grounds of a lack of confidence. The band is in negotiations with the label over a new record contract. Linkin Park still has four albums outstanding on its 2000 record contract. [1]

Linkin Park is currently writing and recording a new album, set to be released in 2006 (although work has been stopped due to the contract re-negotiations). Mike Shinoda is also in the process of releasing a hip-hop side project called "The Rising Tied" under the moniker Fort Minor. It reportedly features several underground rappers, including Gift of Gab.

On July 2, 2005 Linkin Park performed in Live 8 at Philadelphia, USA, performing part of their set with Jay-Z.

I've been in rock and roll all my life and I admit it's bit difficult to put Jimi Hendrix above Mick Jagger in terms of brilliant rock and roll stardom, but after watching several movies of both Jimi and Mick in concert, here's why I would do it:

1. BEST MUSICIAN

Jimi Hendrix was the only true genius in rock and roll. The word genius is highly overused and it's often applied to people who are extremely talented. I disagree with the dictionary when it equates genius with "exceptional intelligence", and what I think the word genius is supposed to refer to is a person who creates something that's new, and not only new, but significantly new, important, and somewhat of a milestone in human development. I call Albert Einstein the premier genius of the human race because the Theory of Relativity was a giant jump in the understanding of the way our universe operates and to this day, few people actually understand anything other than the bomb part. Jimi Hendrix was the genius of rock and roll because he was the only one who invented something new. It's almost impossible to do anything that's really new in the field of music because there are only eight notes in the Western scale so in a sense, all music is derivative. But Jimi invented guitar feedback and nobody before Jimi even thought about it. And Jimi took his invention one step farther. Until Jimi came along, all music since the time of Mozart and Beethoven has been built on chord structure and rock and roll music uses simple chord structure.

Jimi actually used feedback alone to construct song structure in a few, but not all of his songs (i.e. Third Stone From the Sun). To this day, nobody has been able to do what Jimi did. In fact, Jeff Beck bought Jimi's strat at an auction and even the super talented Jeff admitted that he can't get the same sounds out of the very same guitar as Jimi got. With all due respect to Mick, he's a brilliant singer and one of the all time great rock and roll songwriters, but he's not actually a brilliant musician because he only plays rhythm guitar. I believe Mick would agree with me about Jimi being a genius guitar player because Mick was one of the first ones to discover Jimi when The Experience made their debut in the clubs of London. Along with John Lennon, Mick spread the word to the other British musicians about the new nova in the rock and roll sky.

2. BEST PERFORMER

It's a tie between Jimi and Mick. Call it a dead heat with one survivor. If Elvis was still breathing he'd be breathing down both of their necks and I probably will get flack from a whole lot of people for saying that, and even more flack from the know-nothing fans of Madonna, Prince (whoever he is these days) and Michael Jackson (not to mention Roberta FLACK). Certainly Elvis came first and Elvis was The King, but Jimi and Mick both had their own unique styles and neither one were heavily influenced by Elvis in terms of their performances. Mick was influenced by James Brown's dancing and only God knows who influenced Jimi's performance style because he was truly an original. Besides, Elvis moved on to acting and he starred in tons of below average movies - and now I'll really get flack! Unfortunately I won't get Roberta. But seriously, Mick deserves an award for putting on a great show every single time he appears, he did that right from his debut as a young man, and he's continued to do that as an old man. Jimi died as a young man. Both of them were sex stars on stage as well as off stage but watching Jimi on stage is nothing short of breathtaking. He had all the moves, he had the body of a black Adonis, he played his guitar with his teeth, behind his back, under his leg, and when he set fire to it at the end of his shows, he got down on his knees and prayed to the Guitar God who obviously listened to him. He wasn't a dancer like Mick, he was a mover and a shaker of women's "G" spots. People standing in front of his stage all had the same astounded expression on their faces as if to say, "I can't believe this guy! What galaxy did he come from?"

3. SONGWRITING TALENT

"And the Wind Cried Mary". Oh, Jimi, how poetic can you possibly be? So the galactic storm screamed "Jimi", and what hetero man in his right mind doesn't want that "Foxy Lady"? I suppose that a man who's in a "Purple Haze" might not be able to recognize one, and a man who's in a state of "Manic Depression" might not be able to get out of bed and do anything about it, but every time Jimi launches into Foxy Lady with his famous dissonant E chord my libido stands up and salutes. And every time I hear that all time classic feedback note in the middle of the song, it never fails to send shivers up my spine. Comparisons to other songwriters are superfluous. Jimi quite obviously wrote more than a few great rock and roll songs, he almost always had something important to say, and he always said it in a poetic way.

4. SINGING TALENT

As a professional rock and roll singer, it's hats off time to Mick. Oh, I'll get big arguments about that but people who would argue the point don't understand rock and roll singing. It's not about range, power, or technical perfection. It's all about emotion and style. Mick knows how to sing without necessarily using words. Like Robert Plant, he often uses sounds alone to express emotions. A case in point is "Going Home" on the Aftermath album which consists of 11 minutes of Mick having sex with a microphone. Jimi Hendrix was actually embarrassed by his own singing because as a great musician, he recognized and understood the great singers. In the recording studio, he was the master of guitar but he recorded his vocals over and over and over again until he got something that he could just live with. But I put Jimi in the same class as Bob Marley and Bob Dylan. These are great artists who were all perfectly capable of putting across their own unique songs in a way that nobody else can. I'm not a fan of Dylan's voice and when The Byrds recorded Dylan songs, they did a good job but they lack Dylan's sarcasm and his almost bored feeling with his own poetic brilliance. I'm a big fan of Bob Marley and I like his voice, but I recognize that he's not a great singer. It just so happens that I love Jimi's voice. I hear Bob Dylan's influence and I know that Jimi was a fan of Bob's voice and of his lyrics. But Jimi did something very unusual vocally and in the theater, it's called an "aside". Jimi had a wonderful habit of flipping off little spoken phrases, very often interrupting himself while he was singing and it came off as being totally COOL. When it comes to singers, people either like them or they don't and all I can say is that as a professional singer, Jimi's voice works for me big time.

5. SEXUAL AURA

Every rock star has it. Jimi had too much of it for one man. I'm wildly hetero but I'm wowed by the sexual aura that surrounds Jimi on film. I was lucky enough to see him one time in person and I can testify that he was as HOT as it's possible for a human being to be in the flesh. There are an uncountable number of women who would be quite willing to testify about Jimi's abilities in the bedroom.

So in conclusion, it's not necessary to be a great musician to be a rock star, just like it's not necessary to be a great actor to be a movie star. This should be self evident and there are way too many examples in both fields to start listing them. But Jimi was a genius guitar player, a unique and atomicly powerful performer, a great songwriter, a very good singer, a super nova sex star, and a world class personality on top of everything else. That's why I call Jimi Hendrix the Number One Rock Star of All Time.

Folk music has held a sway over people for ages. Even though it is very different from the hip-rocking and swinging music of the day, folk has its own place in the hearts of its lovers. Yet most of the modern generation does not even know what this lovely soulful variety of music means. For anyone who dares call him or herself a music buff of any standard, it is absolutely essential to be aware of this extraordinary form of music.



One of the most underestimated, yet essential forms of music, folk music acts as a safety valve for the society. By giving an outlet to the feelings of the people, it perhaps avoids other possibly violent forms of dissent.



Some of this music deals with folk stories that have been handed down the generations, again by word of mouth. They may not even be found in books, yet recount in graphic detail the victories of the heroes of the age in which they originated. To the extent, that you may even call it ‘oral history’ of the sect to which the song belongs.



Another variety is one which pokes innocent, mildly sarcastic fun at the ironies of daily life. A favorite in most cultures are songs reflecting the relationships between son and mother-in-law, daughter-in-law and father-in-law or mother-in-law, poking at the intricacies of the delicate relations that go sour at the drop of a hat, and are the butt of most modern jokes as well.



Most folk music reflects the times in which it was composed. Thus you are sure to find music talking about slave culture, the civil war, the great depression, and so on. While you may not find it being played very often by your favorite disc jockey, songs like ‘We Shall Overcome’ are extremely popular otherwise, and reflect the struggle of life that is common to any age irrespective of the times in which they were composed. The songs reflect the eternal hope of the human race, that hardships shall not last and the world has much more to offer than the current set of struggles.



In recent times in American history, the depressing thirties gave rise to a number of contemporary folk songs. The songs pertaining to this period reflect the American psyche of the age, talking about workers struggle, child labor laws, and the eight-hour working day. The songs worked as a counter to the rough environment in which the workers found themselves, and hordes of them would gather around a fire or in community halls to sing songs that would give them hope.



Folk music is now commercially available in music stores, though you may have to ask around a bit as everyone may not be keeping it. A little more research, and you would definitely find folk music relating to your own community, and you can relate to it all the more. Play it on your car audio to perk up your spirits when you are feeling down. The extremely simple lyrics and tunes that are easy to hum along make them interesting companions that have the potential of making you feel lighter as well. Just about any music software will play the songs, and you can play whether you are in your car, or feeling down in your office after the boss just gave you a dressing down.



Do not think that folk music is only about struggles, however. A place where it touches everyday life is the very enchanting aspect of love. After a wonderful date with your beloved, you will be surprised how beautiful the lyrics sound, and how true they seem to your own happy situation! For that, of course, you have to fall in love first. The lucky ones that already are know what I am talking about – don’t you?